Throughout the project – from pre-production to editing – close communication between our team and Leos determined certain shooting methods and specified which elements were to be crafted in post-production. CG drones, CG stadium, CG crowd, FX pyrotechnics and starry sky, with the only real element if this scene being the puppet. Effects for the hyperbowl scene included a huge concert hall made and reproduced in full CG.Screen inlays, green, blue and black backgrounds as well as a composite sequence shot were necessary for the final image to correspond to the director’s vision. The so-called “invisible” effects were used to camouflage and hide the cables, joints and cogs of Annette’s puppet.A huge retro-projected wave is used as a backdrop during the lovers’ journey: it was designed by Leos Carax via concept art by our teams, followed by a full CG scene. Effects created before shooting and refined in post-production for the boat scene. Dcouvrez ds maintenant lalbum Annette (Unlimited Edition) (Original Motion Picture Soundtrack) par Sparks.Then we divided our work into three areas: We started with an overview of the director’s wishes in terms of visual effects, special effects, make-up or real sets. It was both bewildering and exciting to work with Leos Carax as he is the director who made me work in the film industry.” Guillaume Pondard, VFX Supervisor The collaboration between the director and our teams began before the shooting in order to prepare the film’s key sets, including the dramatic boat scene. ![]() ![]() ![]() “Spectacular and mysterious” – those were Leos Carax’s words during our visual effects production in Liege.
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